Ludovico Einaudi -《演变》(Diveniere )[Special Edition][2 CD][FLAC]

专辑英文名: Diveniere
专辑中文名: 演变
艺术家: Ludovico Einaudi
资源格式: FLAC
版本: [Special Edition][2 CD]
发行时间: 2007年
地区: 美国
语言: 英语
简介: 
专辑介绍:
关於Ludovico Einaudi:
义大利钢琴家与创作者，自小学习钢琴，在米兰威尔第音乐学院获得作曲文凭，1982年随作曲家Berio学作曲，以钢琴音乐创作者身分，至今作曲不輟。Einaudi最初的作品仍相当「古典音乐」，受Berio的影响，偏向当代古典的前卫风格，之后他为舞剧与多媒体展示写作配乐，之后才转向以钢琴为主的创作，他的音乐偏向冥想、自省，日后转趋极简，并兼容当代流行风格。
Ludovico Einaudi出身出版集团世家，祖父Luigi Einaudi则曾任义大利总统，但他未接家族事业，在专业上拥有自己一片天。Ludovico Einaudi曲风淡雅，极简乐音偏浪漫而不神经质，他也写下不少电影音乐作品，如《穿过你眼神的爱 Light Of My Eyes》、《偷慾 Under A False Name》、《齐瓦哥医生-影集》等。
规格 2 CD
作曲家 Ludovico Einaudi
播放时间 75:55 and more
版本 欧版
发行年份 2007/11
Ludovico Einaudi的音乐一直被世人形容是简洁抽象，古典大气而不缺乏现代感。他的音乐总是感人至深，像是这样一个忙碌匆忙的世界中人人都渴望的那份宁静之音。在专辑Divenire中，Ludovico Einaudi试图改变自己以往风格的一张作品，虽然没有太大的突破，但依然是成功的。钢琴部分宁静温情，弦乐部分则赋予曲子更多的张力，电子元素的加入又增添了一些氛围的意味，是一张很合适夏天聆听的动人专辑。
《Divenire》当中引入了电子乐器， 这说明Ludovico从古典到New Age之间的距离更近了，虽然他是个极简主义者，那电子乐的加入丰富且必要的表达了他的音乐，比如Monday当中用沙锤打出的有些苦涩的节拍， L'origine Nascosta里似有似无的管乐声。
对于这张专集，Ludovico依然让他的音乐忧郁着， 我从没见过名为Monday的曲子， 但无论如何，这曲Monday很好，给我的感觉象是一件值得记忆的事情发生在了Monday。
虽然题目是隐晦的，音乐当中的调子是内敛的，但依然让我觉曲子带着一种希望，那种希望也许是音乐带来的多云天空的细碎阳光，或许是没有什么阳光，而那种希望仅仅只是在我心中罢了。
这张2007年由DECCA发行的《Divenire》（演变）是鲁多维科·伊诺第的第七张录音棚专辑了，加入了完整的弦乐（皇家利物浦爱乐，The Royal Liverpool Philharmonic），部分还用了电子乐，算是更加往New Age靠拢罢。
转】《Divenire》——鲁多维科·伊诺第（Ludovico Einaudi） - 惠风 - 音乐之旅
翻出Ludovico Einaudi的钢琴音乐专辑Divenire，反反复复一直听了好几遍。
第一感觉是宁静、舒缓。旋律优美而简洁，内敛而不滥情；一边做事一边听，只觉它时而是背景，时而却从中得到Inspiration。简单说吧，静谧感之外，极具电影感，或换句当下时髦的说法，极具“颗粒感”。
其实，这一类的钢琴小品是挺不讨巧的：太古典的话有不食人间烟火的感觉，而太平庸的话则最终会流于酒店大堂或咖啡厅的背景音乐。
而意大利人Ludovico Einaudi的火候（或度）拿捏的就很合适，他比美国人Kevin Kern耐听，没有克罗地亚人Maksim那么炫耀，更没有法国人Richard Clayderman那么滥情，跟他的同胞Giovanni Marradi相比，他由简单而派生出来的内敛让人折服。当然，Giovanni Marradi已经是美国化的了，他演奏了巨大量的改编曲目，而Ludovico Einaudi则是自己的作曲，用自己的音乐语言依旧保持着亚平宁人的那份简朴、灵动和古怪的、迷一般的执拗。
他的执拗应该还体现在专辑的名称和曲目大多是用意大利文罢。想来意大利人才不管你看不看得懂，唱片好不好卖呢。
【转】《Divenire》——鲁多维科·伊诺第（Ludovico Einaudi） - 惠风 - 音乐之旅
意大利当代古典音乐作曲家和钢琴家鲁多维科·伊诺第（Ludovico Einaudi）于1955年11月23日出生于都灵，是意大利当代古典音乐作曲家和钢琴家。
年幼起便听他母亲的钢琴长大的，后来进大名鼎鼎的米兰音乐学院（The Conservatorio Verdi in Milan）学习音乐并获得作曲学位，后来师从Luciano Berio（意大利一位当代重要的作曲家之一）。1982年获邀参加Tanglewood Music Festival（美国麻省西部的密林音乐节，BSO波士顿交响乐团每年夏天音乐季的主场）。鲁多维科·伊诺第现居住在意大利西北部皮埃蒙特（Piedmont）的一个葡萄酒庄里。
在米兰音乐学院，以及跟Luciano Berio学习期间，他的作品都是遵循着传统音乐形式。到了八十年代中，鲁多维科·伊诺第在一系列舞蹈和多媒体音乐作品中寻求着自己更具个性和自由的表现形式，最终将这种音乐语言应用于他的钢琴作品。
总的来说，他的音乐风格是氛围感的，给人带来更多的冥想和内省，接近于简约主义、世界音乐和当代波普类型，并对电影世界产生了一定的影响。
其实鲁多维科·伊诺第挺不喜欢人们给他的音乐归类或帖上标签，相对来说，简约主义倒是还能接受（"In general I don't like definitions, but 'Minimalist' is a term that means elegance and openness, so I would prefer to be called a Minimalist than something else." -Ludovico Einaudi）
他的父亲朱力奥·伊诺第是一个出版商，而他的祖父路易吉·伊诺第（Luigi Einaudi）则是意大利的第二任总统（任期1948年5月12日至1955年5月11日）。
曲目列表:
1 Uno--Ludovico Einaudi（一）
2 Divenire--Ludovico Einaudi（演变）
3 Monday--Ludovico Einaudi（玫瑰）
4 Andare--Ludovico Einaudi（离去）
5 Rose--Ludovico Einaudi（星期一）
6 Primavera--Ludovico Einaudi（春天）
7 Oltremare--Ludovico Einaudi（异域）
8 L'origine Nascosta--Ludovico Einaudi（隐秘的起源）
9 Fly--Ludovico Einaudi（飞）
10 Ascolta--Ludovico Einaudi（嬉戏）
11 Ritornare--Ludovico Einaudi（归来）
12 Svanire--Ludovico Einaudi（消逸）
It had to happen -- given the impressive commercial performance of minimalist music in classical-unfriendly America, some European artist was sure to try to capitalize on the trend and bring minimalism to the middle-of-the-road European market. Enter Ludovico Einaudi: composer, pianist, and favorite of the programmers at Britain's crossover radio phenomenon, Classic FM. Divenire presents a selection of his works, some for solo piano and others backed by the Royal Liverpool Philharmonic Orchestra. They're artfully done, stepping up to the line of pure schlock but not crossing over, and using the simplicity of minimalist patterns to rope audiences into something that's actually slightly different. A typical Ludovico (he tends to use just the first name) musical period involves a repetitive pattern with simple harmonies that Philip Glass would have been happy enough with in its original form. But Ludovico almost immediately amplifies it, bringing in easy harmonic motion, building an uncomplicated kind of intensity, layering on the strings if they're present -- and promising a big, cinematic emotional payoff. But the payoff never comes -- the music just keeps going, and the listener is left to coast along on what is apparently for many listeners an emotional high. There are 12 selections on the album, each of moderate length and each moderate in every other way. It may be that this musical antidepressant will succeed just as brilliantly in other countries as it has in Britain (and presumably Italy), for it doesn't quite resemble anything anyone else has come up with. But to claim that it has anything important to say would be a stretch.
引用Artist: Ludovico Einaudi
Title Of Album: Divenire
Year Of Release: 2007
Label: Decca
Total Time: 01:31:02 min
Audio CD (5 Nov. 2007)
Number of Discs: 2
Format: CD
Label: Decca
ASIN: B000X9UCEW
Other Editions: Audio CD
Ludovico Einaudi, Divenire
By Mart TOP 500 REVIEWERVINE VOICE on 4 Mar. 2007
Format: Audio CD
Ludovico Einaudi, Divenire
Ludovico Einaudi's latest CD release Divenire (`becoming') is a work which has spent considerable time being developed. Its origins are in the performance of a composition written for the festival `I suoni delle Dolomiti' (The Sounds of the Dolomites) in 2002.
`Since that experience I have done many other things, but have always thought that sooner or later I would develop the idea and expand it' says Einaudi.
Five years later we have the resulting Divenire, a work which brings together an orchestra (Royal Liverpool Philharmonic), cello (Marco Decimo), sound modifiers (Paulo Giudici) and of course piano by Einaudi himself. The work has been developed and introduced during his live performances, as Einaudi explains:
`...I was becoming bored with playing the same works in the same way...I began to play about with sequences I recorded at home, sound effects created on the computer...which I then included in my live performances...'
So the live performances enabled the evolution of what has become a beautifully crafted CD release. The music, which embraces elements of classical music, electronic sounds and Ludovico's own distinctive piano is difficult to categorise, as the composer himself admits:
`I wouldn't know. In some ways the classical music sections have something dead about them and are too tied to the past. I would prefer my niche among a varied selection, not pigeon-holed by a specific genre'.
The results however have been given various labels, such as ambient, contemporary, meditative, minimalistic, introspective and modern classical.
In my opinion this is Einaudi's best release to date, for the combination of the diverse sounds created by the piano, strings and various electronic elements work so well together that it is almost impossible not to be swept away by the deeply emotional melodies that the composer creates. The CD has been released to coincide with The Divenire Tour, during which most of the music here can be heard. The resulting sell-out tickets for these concerts is a reflection of Einaudi's ever increasing popularity, and this album I believe will firmly establish him as one of the leading contemporary composers.
It is difficult to single out my favourites from such an outstanding CD, but `Uno'(One), `Oltremare' (Overseas), and `Andare' (Go) will bring memories of seeing Einaudi, complete with string sextet and the electronic wizardry of Robert Lippok onstage during his Divenire Tour. A great CD, which I recommend to anyone wanting to experience, for want of a better label, contemporary classical music.
专辑曲目: 
CD 1
01. Uno (3:48)
02. Divenire (6:42)
03. Monday (5:55)
04. Andare (7:02)
05. Rose (4:16)
06. Primavera (7:24)
07. Oltremare (11:00)
08. Origine Nascosta (3:12)
09. Fly (4:39)
10. Ascolta (4:49)
11. Ritornare (8:52)
12. Svanire (7:29)
CD 2
01. Uno (Mercan Dede Remix) (4:08)
02. Andare (Robert Lippok Remix) (5:19)
03. Divenire (Alva Noto Remodel) (6:29)
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