专辑中文名: 听见小号的声音
艺术家: Alison Balsom
古典类型: 全集作品
资源格式: FLAC
版本: [24bits 96KHz]
发行时间: 2012年10月01日
地区: 美国
语言: 英语
简介:
专辑介绍:
EMI 鲍尔珊(Alison Balsom)/韩德尔与普赛尔:听见小号的声音
[Sound the Trumpet - Royal Music of Purcell and Handel]【1CD】
简介:
★艾莉森‧鲍尔珊是当前最受欢迎的古典音乐明星。在平诺克与英国古乐团的协奏下,艾莉森‧鲍尔珊展现出她灵活多变的技巧与音乐表现力,让音乐同时具有内涵与光辉耀眼的技巧。
艾莉森‧鲍尔珊是当前最受欢迎的古典音乐明星。在不违背自己对音乐的理念前提下,她勇於突破主流以吸引更多听眾。
这专辑收录了从韩德尔与菩赛尔的颂歌、小交响曲与歌剧里,为小号创作,或是重新改编成适合小号演奏的乐曲。艾莉森‧鲍尔珊与长於演奏巴洛克时期作品的指挥家平诺克之所以会挑选韩德尔与菩赛尔的作品的原因之一,在於这两名作曲家虽然几乎同一时间居住在伦敦,可是音乐风格完全不同。「乍看之下,韩德尔的作品似乎一眼就能看穿。但是每演奏一次,就会发现每一个音符都有新的意义,每次演出都会出现新的样貌。「菩赛尔则是我的大英雄。他一再打破巴洛克时期的结构与规则,写出让人惊讶不已的和声与节奏。他的作品极具现代性。」艾莉森‧鲍尔珊说。
十岁在巴比肯中心听过瑞典小号演奏家哈登伯格的音乐会后,艾莉森‧鲍尔珊马上立志要成为小号独奏家。从市政厅音乐学校毕业后,她到巴黎音乐学院师从哈登伯格。2004年以后,艾莉森‧鲍尔珊开始在全球各个重要音乐厅露面,唱片也得到重要媒体,如《留声机》杂誌的好评。
在平诺克与英国古乐团的协奏下,艾莉森‧鲍尔珊展现出她灵活多变的技巧与音乐表现力,让音乐同时具有内涵与光辉耀眼的技巧。
EMI 50999-440329-2(1CD)5099944032920
韩德尔与普赛尔:听见小号的声音【1CD】
Sound the Trumpet - Royal Music of Purcell and Handel
艾莉森‧鲍尔珊, 小号 / 平诺克指挥英国古乐团
Alison Balsom, Trumpet / The English Concert, Trevor Pinnock
BALSOM, ALISON [所有作品]
产品条码: 5099944032920
产品编号: 5099944032920
发行公司: EMI [发行商品]
发行日期: 2012年11月23日
产品制造地: 欧美 .
发行类型: 乐团 . 小号 . 管弦乐 . 古典 . CD .
内装片数: 1片
1、亨德尔:我觉得快乐(选自:《高卢的阿马迪吉》三幕歌剧),HWV 11
2-8、普赛尔:亚瑟王组曲
9、亨德尔:《阿塔兰塔》序曲,三幕戏剧音乐,HWV 35
10、亨德尔:圣光的永恒之源(安妮女王祝寿颂歌),HWV 74
11-15、普赛尔:《精灵女王》- 音乐和舞蹈组曲
16、普赛尔:吹响号角(来吧,艺术之子)
17-21、亨德尔:第二号《水上音乐》,D大调,HWV 349
22、普赛尔:感叹(选自:《精灵女王》)
23-26、亨德尔:双簧管协奏曲1号,降B大调,HWV 301
Orchestra: The English Concert
Conductor: Trevor Pinnock
Composer: Henry Purcell, George Frideric Handel
Audio CD (October 22, 2012)
SPARS Code: DDD
Number of Discs: 1
Label: Warner Classics
ASIN: B008ROH07W
Release Date October 1, 2012
Duration 01:06:03
Genre Classical
Styles Concerto
引用AllMusic Review by James Manheim
British trumpeter Alison Balsom has been popular from the start, and she seems to gain strength as she tackles each new project and expands her range. Here she plays a Baroque trumpet (apparently a natural trumpet with finger holes but no keys) and is accompanied by the period-instrument English Concert under its veteran conductor Trevor Pinnock. They worked together on most of the arrangements of pieces by Handel and Purcell, and the results in this well-worn British musical ground are nothing short of stunning. The variety of timbres that emerge from Balsom's instrument is nothing short of stunning, and the place to start in sampling it is with the three vocal duets, two with the fine countertenor Iestyn Davies and one with soprano Lucy Crowe. These give the uncanny effect of almost hearing two vocal parts that so many instrumentalists aim for in arrangements like this, but that so few actually achieve. Balsom has always been a charismatic player with an attractive tone, and an anthology of her earlier recordings is available. But the way she's going, it makes sense to keep up with the state of her art.
In the year of Queen Elizabeth II’s Diamond Jubilee, Alison Balsom celebrates the heroic era of the Baroque trumpet in works by George Frideric Handel (1685-1759) and Henry Purcell (1658 or 1659-1695), whose anthems, odes, sinfonias and operas have provided the music for numerous royal celebrations from their own day to the present.
Joining forces with Trevor Pinnock, harpsichordist, conductor and pioneer of historical performance, and with the English Concert orchestra that he founded, Balsom demonstrates the versatility and expressive power of her valve-less instrument in original works and new arrangements. These include Purcell’s Sound the trumpet and Handel’s Eternal Source of light divine in duet with countertenor Iestyn Davies and Purcell’s The Plaint from The Fairy Queen in duet with soprano Lucy Crowe. Further repertoire includes suites from Purcell’s semi-operas King Arthur (1691) and The Fairy Queen (1692) in new arrangements by Balsom and Pinnock, Handel’s Water Piece in D Major HWV 341 and his Oboe Concerto No. 1 in B-flat Major HWV 301 transposed into C Major.
Alison Balsom is one of today’s most popular classical musicians. Having managed to break through to the mainstream without abandoning her musical integrity, she continues to draw ever-wider audiences for her performances and recordings of diverse repertoire.
Credits
Arranged By – Alison Balsom (tracks: 2 to 8, 11 to 15, 16, 22, 23 to 26), Trevor Pinnock (tracks: 1, 17 to 21, 23 to 26)
Composed By – George Frideric Handel* (tracks: 1, 9, 10, 17 to 21, 23 to 26), Henry Purcell (tracks: 2 to 8, 11 to 15, 16, 22)
Directed By – Trevor Pinnock
Edited By – Alison Balsom (tracks: 2 to 8, 11 to 15, 16, 22, 23 to 26), Trevor Pinnock (tracks: 1, 17 to 21, 23 to 26)
Harpsichord – Trevor Pinnock
Orchestra – English Concert, The*
Organ – Trevor Pinnock
Trumpet [Natural Trumpet] – Alison Balsom
Barcode and Other Identifiers
Barcode: 5099944032920
Label Code: LC 06646
Other (SPARS): DDD
专辑曲目:
Amadigi di Gaula HWV11
01. Sento la gioia (Act 3) 4:45
King Arthur Z628 – Suite
02. I. Overture (Act 1) 3:37
03. II. Come if you dare (Act 1) 3:02
04. III. Symphony (Act 5) 1:56
05. IV. Shepherd, shepherd, leave decoying (Act 2) 1:48
06. V. Round thy shores (Act 5) 1:11
07. VI. Trumpet tune (Act 5) 0:47
08. VII. Fairest isle (Act 5) 2:03
-
09. Atalanta HWV35 – Overture 4:02
Ode for the Birthday of Queen Anne HWV74
10. Eternal source of light divine
Countertenor Vocals – Iestyn Davies 3:35
The Fairy Queen Z629 – Suite of Musicks and Dances
11. I. Symphony (Act 4) 6:28
12. II. Rondeau (Second Musick) 1:41
13. III. Jig (Act 1) 1:07
14. IV. Prelude (Act 5) 1:03
15. V. Chaconne and chorus (Act 5) 3:58
Come, ye Sons of Art Z323 (Ode for the Birthday of Queen Mary)
16. Sound the trumpet Countertenor Vocals – Iestyn Davies 2:35
Suite in D HWV341 ‘Water Piece’
17. I. Overture (Water Music – Suite in D HWV349) 1:44
18. II. Gigue: Allegro (Water Music – Suite in D HWV349) 1:47
19. III. Minuet (Aria) 1:50
20. IV. Bourrée 1:00
21. V. March No.2 (Partenope HWV27) 1:07
The Fairy Queen Z629
22. The Plaint (Act 5)
Soprano Vocals – Lucy Crowe 7:45
Oboe Concerto No.1 in B flat HWV301 (transposed into C major)
23. I. Adagio 1:59
24. II. Allegro 1:41
25. III. Siciliana: Largo 2:13
26. IV. Vivace 1:35
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