Lisa Batiashvili -《柴可夫斯基、西贝流士：小提琴协奏曲》(Tchaikovsky, Sieblius : Violin Concerto)[24 bits 96 KHz][FLAC]

专辑英文名: Tchaikovsky, Sieblius : Violin Concerto
专辑中文名: 柴可夫斯基、西贝流士：小提琴协奏曲
艺术家: Lisa Batiashvili
古典类型: 协奏曲
资源格式: FLAC
版本: [24 bits 96 KHz]
发行时间: 2016年11月04日
地区: 美国
语言: 英语
简介: 
专辑介绍:
BATIASHVILI, LISA
Tchaikovsky, Sieblius : Violin Concerto／Lisa Batiashvili, Daniel Barenboim
柴可夫斯基、西贝流士：小提琴协奏曲
☉莉莎‧巴蒂雅许薇莉，小提琴
☆巴伦波英指挥，柏林国立管弦乐团
十年来，巴伦波英年年都会在柏林著名的倍倍尔广场举行露天音乐会，与超过四万名听眾同享美好的音乐。过去四年的独奏家都邀请莉莎‧巴蒂雅许薇莉，演出四首经典小提琴协奏曲，包括柴可夫斯基与西贝流士的作品。
「我非常喜爱西贝流士的小提琴协奏曲。」莉莎‧巴蒂雅许薇莉说。她的生命中有许多重要时刻都与这部作品有关係，像是1995年的西贝流士小提琴大赛决赛。而巴伦波英一次在电视上听到莉莎‧巴蒂雅许薇莉演奏这首协奏曲之后，立刻打电话邀请合作。
由於已经有太多杰出的詮释，出身格鲁吉亚的莉莎‧巴蒂雅许薇莉一直避免演奏柴可夫斯基小提琴协奏曲，而巴伦波英也从来没有在录音室演奏过这首曲子。2015年的露天音乐会上，巴伦波英鼓励莉莎‧巴蒂雅许薇莉尝试挑战。前辈激励了莉莎‧巴蒂雅许薇莉，最后，两个人在录音室一同留下自己的第一版录音。
在扭曲作曲家意念的前题下，莉莎‧巴蒂雅许薇莉特别避开传统的演奏惯例与习惯，为两部作品带来许多新的见解。莉莎‧巴蒂雅许薇莉在这张专辑表现出迷人与惊人的爆发力，她让音乐中的歌唱性有如梦幻般甜美。巴伦波英则让管弦乐部分兼具深度与广度，温暖的音色与相呼应的音乐性，给予独奏家最充分的支持。
产品条码 : 0028947960386
产品编号： 4796038
发行公司 : DG (发行商品)
发行日期 : 2017/01/24
发行类型 : CD/古典/协奏曲/小提琴/乐团
内装片数 : 1片
【曲目】
柴可夫斯基：D大调小提琴协奏曲，作品35
[1] 第一乐章：有节制的快板 [2] 第二乐章：短歌─行板
[3] 第三乐章：终曲─活泼的快板
西贝流士：D小调小提琴协奏曲，作品47
[4] 第一乐章：有节制的快板 [5] 第二乐章：很慢的慢板
[6] 第三乐章：快板，但不过份快
引用Original Release Date: November 4, 2016
Release Date: November 4, 2016
Label: DG
Copyright: ℗© 2016 Deutsche Grammophon GmbH, Berlin
Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
Total Length: 1:10:07
Genres: Classical
ASIN: B01LYM19AP
Average Customer Review: 4.9 out of 5 stars
Naming the soloist on the last concerto recording you heard is probably easy. But can you name the orchestra? On this disc, there’s no danger of forgetting that it’s Daniel Barenboim’s Berlin Staatskapelle; the quality of the orchestral playing, the warmth and depth of tone are constant reminders. They offer worthy support to outstanding, insightful performances from violinist Lisa Batiashvili, who, like Barenboim, here commits the Tchaikovsky concerto to disc for the first time. She’s a dreamy-sounding, inward soloist at the start, shaping the melodies with care yet propelling them forward – this mammoth work has rarely seemed so concise. The Sibelius soars and sings in the first movement, and dances in the finale with a rare agility. As for Barenboim, he gives the orchestral parts the depth and scope of symphonies: the climax of the first movement of the Sibelius will knock you flat.
TCHAIKOVSKY / SIBELIUS
TCHAIKOVSKY: Violin Concerto in D major, op. 35
SIBELIUS: Violin Concerto in D minor, op. 47
Lisa Batiashvili
Staatskapelle Berlin
Daniel Barenboim
Int. Release 04 Nov. 2016
Tchaikovsky, Sibelius
Violin Concertos
Lisa Batiashvili, Daniel Barenboim, Staatskapelle Berlin
DG4796038
by Tim Munro on January 30, 2017 (January 30, 2017) filed under Orchestral | Comment Now
★★★★☆ Batiashvili and Barenboim here prove the perfect partners.
This album nails its colours firmly to the mast at the very beginning of Tchaikovsky’s concerto. Barenboim and his German band set the scene with an opening phrase of such soft-hued peace that we feel in solid company at the outset of a firmly-charted, epic journey. There will be beautiful sights along the way, but we can be sure that no harm will befall us in such safe hands.
Lisa Batiashvili, who learned the Tchaikovsky only in the past few years, is a full and equal partner. Her playing dials down the rhapsody and whimsy, instead sustaining long melodic lines with a determination that patience and calm will reap their rewards.
The slow movement, which too often has a ‘big emotion’ stop-start quality, benefits here from a flowing pulse and lines created with an eye on the overall shape. And if the temperature of the finale is lower than on many recordings, I still found myself completely entranced by the epic story these artists were telling. Batiashvili and Barenboim turn a barn-burner into a soulful symphony with obligato violin.
Similar characteristics are present in the Sibelius. Here the orchestra sounds magnificent, rich and dark-hued, with a grainy quality that seems to have been dug directly from a Finnish forest in winter. Batiashvili and Barenboim are again unhurried, but here I felt less convinced by Batiashvili’s reticence to push her violin into uncomfortable places, to shout or cry or jump for joy.
CRITICAL ACCLAIM FOR LISA BATIASHVILI’S TCHAIKOVSKY AND SIBELIUS VIOLIN CONCERTOS ALBUM
5 May 2017
Lisa Batiashvili’s latest album – featuring Tchaikovsky and Sibelius’ Violin Concertos with Daniel Barenboim and Staatskapelle Berlin – is receiving superb response, including 5-star reviews from publications like BBC Music Magazine and The Guardian. Gramophone Magazine named it ‘Record of the Month’ (January 2017) and BBC Music Magazine chose it as its ‘Concerto Choice’ (April 2017).
The album, which was released by Deutsche Grammophon in November, features Lisa’s second recording of Sibelius’ Violin Concerto, which she has performed regularly since playing it for the first time with orchestra in the final of the Sibelius Competition in 1995 (the first recording, with Finnish Radio Symphony Orchestra and Sakari Oramo, was released by Sony in 2007). The Tchaikovsky Violin Concerto, on the other hand, represents a new addition to her repertoire. In an interview with Classical Music Magazine, she explains: “I couldn’t identify myself in this piece. So I waited, waited, waited long, until I was 30 years old… and then suddenly there was this opportunity to play with Barenboim.”
Lisa records exclusively for Deutsche Grammophon.
“…a disk full of beautiful and inventive violin-playing from one of the world’s most mesmerising talents. You can never second-guess Batiashvili, and that in part is what makes her so perpetually fascinating as a musician” (Gramophone Magazine, January 2017)
“This remarkable partnership of musical minds also excels in the Sibelius, the glacial opening passage in the first movement being especially hypnotic” (BBC Music Magazine, April 2017).
“She’s a dreamy-sounding, inward soloist at the start, shaping the melodies with care yet propelling them forward – this mammoth work has rarely seemed so concise. The Sibelius soars and sings in the first movement, and dances in the finale with a rare agility. As for Barenboim, he gives the orchestral parts the depth and scope of symphonies: the climax of the first movement of the Sibelius will knock you flat.” (The Guardian, November 2016)
专辑曲目: 
1. Tchaikovsky: Concerto For Violin And Orchestra In D Major, Op. 35, TH 59 - 1. Allegro moderato 19:39
2. Tchaikovsky: Concerto For Violin And Orchestra In D Major, Op. 35, TH 59 - 2. Canzonetta. Andante 7:06
3. Tchaikovsky: Concerto For Violin And Orchestra In D Major, Op. 35, TH 59 - 3. Finale. Allegro vivacissimo 10:07
4. Sibelius: Concerto For Violin And Orchestra In D Minor, Op. 47 - 1. Allegro moderato - Molto moderato e tranquillo - Allegro molto - Moderato assai - Allegro moderato 17:00
5. Sibelius: Concerto For Violin And Orchestra In D Minor, Op. 47 - 2. Adagio di molto 8:41
6. Sibelius: Concerto For Violin And Orchestra In D Minor, Op. 47 - 3. Allegro ma non tanto 7:34
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