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Zuill Bailey -《普罗高菲夫:交响协奏曲、大提琴奏鸣曲》(Prokofiev; Sinfonia Concertante)[FLAC]

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Zuill Bailey -《普罗高菲夫:交响协奏曲、大提琴奏鸣曲》(Prokofiev; Sinfonia Concertante)[FLAC] 专辑英文名: Prokofiev; Sinfonia Concertante
专辑中文名: 普罗高菲夫:交响协奏曲、大提琴奏鸣曲
艺术家: Zuill Bailey
古典类型: 全集作品
资源格式: FLAC
发行时间: 2016年05月13日
地区: 美国
语言: 英语
简介: 
专辑介绍:
普罗高菲夫:交响协奏曲、大提琴奏鸣曲
◎「温润的音色与精确的技法,百利的演奏令人沉迷!」 ─ The News & Observer
◎「优异的表现令人期待他成为下次葛莱美奖的赢家!」 ─ MidWest Record
祖伊尔‧百利(Zuill Bailey)不仅活跃於舞台,其录制的专辑更曾荣获「美国告示牌古典音乐排行榜」第一名、「企鹅评鑑1000张最佳古典专辑」之一。知名音乐网站Classic Net讚誉他为「当今最好的大提琴家之一」。
普罗高菲夫是位极具争议性的天才,虽然在当时他的作品常因过於前卫,不容於保守的乐坛;但本辑收录的《交响协奏曲》、《大提琴奏鸣曲》两闕作品,相较於早期粗旷的音色,流露出少见的柔情,呈现出大提琴本身的歌唱性与色彩,而百利的演奏更令人印象深刻,弓弦鬆弛间,节奏、力度和情感无一不缺,纯熟地詮释出普罗高菲夫细腻柔情的一面。
普罗高菲夫:交响协奏曲、大提琴奏鸣曲/祖伊尔‧百利/葛兰特.雷威林指挥北卡罗莱纳交响乐团 (CD)
Prokofiev: Sinfonia concertante & Cello Sonata / Zuill Bailey / Grant Llewellyn / North Carolina Symphony Orchestra
发行公司:Steinway
演出者:普罗高菲夫 Sergei Prokofiev
产品编号:30057
发行日期:2017/03/15
张数:1 张 - 1CD
祖伊尔‧百利(Zuill Bailey)不仅活跃於舞台,其录制的专辑更曾荣获「美国告示牌古典音乐排行榜」第一名、「企鹅评鑑1000张最佳古典专辑」之一。知名音乐网站Classic Net讚誉他为「当今最好的大提琴家之一」。
普罗高菲夫是位极具争议性的天才,虽然在当时他的作品常因过於前卫,不容於保守的乐坛;但本辑收录的《交响协奏曲》、《大提琴奏鸣曲》两闕作品,相较於早期粗旷的音色,流露出少见的柔情,呈现出大提琴本身的歌唱性与色彩,而百利的演奏更令人印象深刻,弓弦鬆弛间,节奏、力度和情感无一不缺,纯熟地詮释出普罗高菲夫细腻柔情的一面。
引用Original Release Date: May 13, 2016
Release Date: May 13, 2016
Label: Steinway and Sons
Copyright: ℗© 2016 Steinway and Sons
Total Length: 1:01:55
Genres: Classical
ASIN: B01EGBIANC
Average Customer Review: 5.0 out of 5 stars
starsIntensity in concert, and in the studio
ByDean Freyon May 13, 2016
Format: Audio CD
Cellist Zuill Bailey repeats almost exactly the formula that won raves from the critics in his 2014 Telarc recording of cello music by Benjamin Britten. That included the Symphony-Concerto and a Cello Sonata, as does this new Steinway disc of music by Sergei Prokofiev, due to be released on April 29, 2016. Bailey has the same supporting cast as well: the North Carolina Symphony conducted by Grant Llewellyn, and in the Sonata, pianist Natasha Paremski. The concerted works of both discs were recorded live at the Meymandi Concert Hall in Raleigh, while the sonatas come from the studio.
Way back in 2002 Bailey gave a wide-ranging interview with Tim Janof of the Internet Cello Society, in which he talked about the cello recordings that he especially loved. I'm not surprised with his choice of Rostropovich's famous recording of the Sinfonia Concertante with the Royal Philharmonic Orchestra and Sir Malcolm Sargent. Bailey and Llewellyn follow the great Russian/English team in terms of tempi, which tend to be a bit brisker than other recordings (especially Ma's, with Maazel in Pittsburgh). The cello is brought quite far forward, front and centre, in the recording, though, putting the emphasis more on the Concertante than the Sinfonia. It's an especially fine live recording, though, with that electric feeling you sometimes get in the concert hall. There's no sign of the audience, even at the end, which is different from the nine minutes of applause included in the latest recording from Atlanta.
This great work is extremely well served on disc. I listened to bits of a dozen versions, and all of the Rostropovich, Ma, Harrell, and Wallfisch, and marvelled at the way great and modest cellists could differ in small and large ways while still sounding so musical. The lovely tone of Bailey's venerable instrument - the 1693 Goffriller played by Mischa Schneider for three decades in the Budapest String Quartet - and Bailey's confident mastery of the work, puts this recording in the same league as those masters, with the very fine orchestral playing of the Carolinians very nearly up to the Royal Philharmonic, Pittsburgh or Liverpool orchestras.
I shouldn't forget the 1949 Sonata, which is fine indeed. Prokofiev, who had recently been charged with formalism in music, did not know if he'd ever have his music performed again, or worse. So he forgets about impressive effects to wow the audience; this is more like a personal working out of things in his brain. And what a brain! Bailey and Paremski (again, an equal musical partner) keep their eyes down and the feeling intense, eschewing obvious effects in favour of the work's bleak architecture.
In the world of the recording star you're always moving on to the next project. I follow Bailey on Twitter (as should you), and on April 16, 2016 he tweeted about the latest live recording project with the North Carolina Symphony, conductor Grant Llewellyn, and violinist Philippe Quint: the Brahms Double Concerto. I'm looking forward to this recording!
Release Date May 13, 2016
Duration 01:01:54
Genre Classical
Styles Concerto
Recording DateFebruary 20, 2015 - February 21, 2015
Recording Location Meymandi Concert Hall;Raleigh, North Carolina
Oberlin Conservatory of Music, Clonick Hall Studio, Oberlin, Ohio
专辑曲目: 
Symphony-Concerto for Cello and Orchestra in E minor, Op. 125
1. Andante/10:22
2. Allegro giusto/18:34
3. Andante con moto/10:27
Sonata for Cello and Piano in C major, Op. 119
4. Andante grave/10:31
5. Moderato/4:32
6. Allegro ma non troppo/7:30
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