Richard Galliano -《手风琴演奏巴哈作品》(Bach)[FLAC]

专辑英文名: Bach
专辑中文名: 手风琴演奏巴哈作品
艺术家: Richard Galliano
古典类型: 全集作品
资源格式: FLAC
发行时间: 2010年06月29日
地区: 法国
语言: 英语
简介: 
专辑介绍:
理查．盖利安诺/ 手风琴演奏巴哈作品
理查．盖利安诺，手风琴／尚─马克．菲利普斯，小提琴／叙雷尔，小提琴
理查．盖利安诺是著名的法国爵士手风琴演奏家，出版过数十张膾炙人口的专辑，但是2009年9月，他与几名老搭档在巴黎圣母院录下这张古典专辑，曲目是他最喜爱的古典作曲家：巴哈的作品。这也是理查．盖利安诺个人第一张古典专辑。
理查．盖利安诺表示，巴哈的音乐无国界。过去他曾经演奏过十二平均律中的多首前奏曲与赋格、义大利协奏曲等等作品，只是从来没有把这些曲目录下来，因此录制这张专辑可说是他音乐生涯中的高潮。选曲上，理查．盖利安诺挑选了巴哈为大提琴、双簧管、小提琴、键盘乐器与长笛创作的作品，把它们改编成以手风琴主奏，五把弦乐伴奏的编制，与让─马克．菲利普斯、叙雷尔、阿帕普、皮杜、莱热罗这五名合作已久的音乐家共同演出。虽然是改编后的作品，但是理查．盖利安诺并没有更动巴哈原曲的音符、休止符……而是以忠实的呈现出另一种面貌的巴哈。
一张融合探戈和欧式酒馆风格的专辑，弥漫洒放丶怀旧丶乐天等异样梦境的神话色彩。
Richard Galliano——Piazzolla最后一个关门弟子，这位有著意大利血统的法国人，被誉为20世纪最杰出的手风琴家，其手风琴技巧令人炫目，尤其是演奏Piazzolla的名曲“自由探戈”，在后世的无数版本中，这是最耀眼令人赞嘆的。除了Libertango，如果从未听过Richard Galliano的音乐，推荐两首Vuelvo al sur和New York Tango，前者也是Piazzolla的名曲，连电子组合Gotan Project的演绎都令人印象深刻，自是不用说。后者则是Galliano的作品，他融入了即兴爵士的手法，豪华的乐队伴奏，是在此之前从未有过的新探戈的尝试。
　　
　　Richard Galliano四岁起就跟随其父练习手风琴，少年时代迷恋上了爵士，尤其从小号手Clifford Brown的音乐中得到啟示，并很快驱使他投入到爵士音乐这片新天地中，70年代他移居法国后，就开始为一些著名的爵士乐手伴奏，诸如Chet Baker, Ron Carter, Michel Petrucciani, Jan Garbarek等。直到他遇见给他带来巨大影响的人： Astor Piazzolla。
　　
　　Richard Galliano曾经说过，Piazzolla就是他的导师，引导他掌握自己的风格，并一直鼓励他，让他充满信心，直到Piazzolla逝世，他们一直是伙伴关系。在与Piazzolla合作这段时期内，Richard Galliano重拾欧洲民谣的传统，以一种全新的方式来表达他内心的探戈。虽然手风琴bandoneon琴作为一样非常本土化特殊的民间乐器，在爵士乐中绝少有成功者，且难登高雅之堂，但是Richard Galliano的却成功地将探戈这种小酒馆式的小调舞曲以手风琴与管弦乐队合作的手法来演绎，有时候甚至气势恢弘，带有强烈的英雄诗歌体般的气韵。
　　
　　他还接触了广泛的国际音乐人，与许多人有过合作，他与吉他手Jean Marie Ecay，鼓手Daniel Humair的长期合作，与Michel Portal的两人组合，与Eddy Louiss的两人组合都非常成功，尤其是1998年的现场演唱会专辑Blow Up，正是他与单簧管/萨克斯演奏家Michel Portal的精彩合作，Libertango,Taraf都是如此令人难忘。而最近，2003年在瑞士的Willisau爵士音乐会上，Richard Galliano连同六名音乐家演奏了一场精彩的音乐会。──Piazzolla Forever，更是至今为止最令人大开眼界的探戈作品。
引用专辑名称:《Bach 》
Composer: Johann Sebastian Bach
艺术家# Performer: Richard Galliano /理查．盖利安诺
Audio CD (June 29, 2010)
SPARS Code: DDD
Number of Discs: 1
发行公司# Label: Deutsche Grammophon
ASIN: B0034JV5YO
Audio CD (June 29, 2010)
SPARS Code: DDD
Number of Discs: 1
Label: Deutsche Grammophon
ASIN: B0034JV5YO
There's more to the accordion than "Bella Notte;" Richard Galliano beautifully provides the proof. July 20, 2010
By Kathryn E. Etier VINE VOICE
Format:Audio CD
As a collector of quotes, I frequently come across one with which I don't agree, like "A gentleman is a fellow who can play the accordion but doesn't." If that weren't bad enough, Ambrose Bierce defined the accordion as "An instrument in harmony with the sentiments of an assassin." What's wrong with the accordion, I ask. Dating back to the early nineteenth century, this noble instrument has long supplied the melody for folk music from a variety of cultures. What's klazmer or a tarantella or a polka without an accordion?
Accordionists have been the subject of jokes and wisecracks, yet they are handling an extremely complex instrument that is suited to a wide variety of music, from folk to rock to classical. Those who master it can produce rich sound that does not require accompaniment. And, really, is there anything more romantic than having a strolling accordionist stopping by a candlelit table and playing "That's Amore"?
Those who disrespect the accordion turn their backs on an instrument that can score every mood from depression to elation. Deutsche Grammophon has recently released Richard Galliano - Bach, a collection of music that should put to rest any negative connotations associated with the accordion. Galliano, one of the foremost accordionists of our time, has practiced and performed Bach over the years, but this is the first time he has recorded the composer's works. Accompanied by a string quintet, Galliano's interpretations of familiar pieces such as Orchestral Suite no. 3 in D Major and Sonata for Flute and Harpsichord no. 2 in E flat major soar. Every piece performed is a gem unto itself.
Playing the accordion since the age of four and recipient of the Académie du Jazz's Django Reinhardt Prize ("French Musician of the Year," 1993), Galliano presents his audience with faithful renderings of the music as Bach wrote it. As in any great orchestral production, the music elevates the listener who is not hearing an accordion, but the works of a master played by a master.
Bach
2010 Universal/Deutsche Grammophon
Richard Galliano accordion,accordina, bandonéon
Jean-Marc Phillips. Sebastien Surel, violin
Jean-Marc Apap, viol /alto
Raphaël Pidoux cello
Stephane Logerot double bass/contrebasse
Recorded September 2009 in Paris (France)
at Notre Dame du Liban
专辑曲目: 
01. J.S.Bach - Badinerie from Orchestral Suite No. 2 BWV 1067 [01:30]
02. Violin Concerto No.1 BWV 1041 - 1. Allegro [03:39]
03. - 2. Andante [06:46]
04. - 3. Allegro Assai [03:35]
05. Air from Orchestral Suite No. 3 BWV 1068 [05:11]
06. Prelude from Cello Suite No. 1 BWV 1007 [02:21]
07. Harpsichord Concert BWV 1056 - 1. Without Tempo Indication [03:24]
08. - 2. Largo [03:03]
09. - 3. Presto [03:45]
10. Siciliano from Sonata for Flute and Harpsichord No. 2 BWV 1031 [02:06]
11. Allemande from Partita for Solo Flute BWV 1013 [03:02]
12. Concerto for Oboe and Violin BWV 1060 - 1. Allegro [04:54]
13. - 2. Adagio [05:15]
14. - 3. Allegro [03:37]
15. Contrapunctus 1 from "The Art Of Fugue", BWV 1080 [04:36]
16. Richard Galliano - Aria [04:09]
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